by Benjamin Keller
Hémisphères
la revue suisse de la recherche et de ses applications
June 2013
Read the article: Les-artistes-au-labo
Archive for the ‘Press’ Category
Des artistes au labo
June 1, 2013Art At The Cusp: Manifest.AR
January 14, 2013By Stephen Persing, Big Red and Shiny
Composite image of Giant Robots are attacking the Capital, Mark Skwarek, 2013.
If you listen to certain voices you will be told that art is irrelevant; that it is not required to succeed in life; that there are better, more profitable things to do. If you are involved in any sociopolitical issue—which means you have a pulse—you know the lie of this alleged wisdom. Making a point requires conjuring images, visual and verbal. Any politician must be an artist; logic alone is not enough. Everyone who stands for something is a politician in this sense. An artist begins where listening to certain voices ends.
Read the full article.
FLASH ART, issue 295, Italian Edition, Domenico Quaranta, “Venice: the augmented reality”
September 6, 2011FLASH ART, Italian Edition, a thoughtful article by Domenico Quaranta on Manifest.AR and Invisible Pavilion and general idea of ephemeral intervention.
Google EN TRANSLATION: Flash_Art_Biennale_AR_Article_Google_Translate
Williamsburg Greenpoint News+Art
May 8, 2011Sarah Schmerler, of Art in America, published an interview with Mark Skwarek and Will Pappenheimer in the Williamsburg Greenpoint News+Art titled I have seen the Future, and it was on Maujer Street: Augmented Reality Artworks!. See the print version.
Mark S. in a quiet moment at Devotion Gallery, Billyburg
Will Pappenheimer, Pace professor and AR curator and artist
Augmented Reality: Creators Project: A Brief Guide To Augmented Reality Art Exhibits
March 13, 2011By Bruce Sterling, Wired
“This week: Augmented reality art exhibits.
“So, what are augmented reality art exhibits?
“Exhibitions that utilize overlayed realities as part of the experience, usually taking the form of a mixed reality which blends the physical and augmented environments. These exhibits can take two forms, the commissioned type and the unsanctioned guerrilla attacks which infiltrate galleries or public spaces to showcase AR art. The exhibits can use projection mapping, like in augmented sculptures, or utilize smartphones as a looking glass through which reality is altered.
La conquête des espaces
March 10, 2011Marie Lechner, Libération.
Des artistes usent de la réalité augmentée pour investir et modifier des lieux historiques.
Vendredi 25 février, à 20 h 15 GMT+1, le bureau ovale de la Maison blanche et le Pentagone ont été infiltrés en toute discrétion par deux ballons d’hélium sur lesquels s’affichaient des messages adressés à Barack Obama, que chacun pouvait envoyer en direct via Twitter (#whitehouseinfiltration). Des ballons qui ont échappé aux services d’ordre (et sans doute aussi au président américain).
Manifest.AR 